- BOB, LITTLE JIM, BLUEBOTTLE, AND THE THREE STOOGES
Stephen Davies
University Of Auckland - THE RETURN OF PHOTOGRAPHS AS GENUINE PROSTHESES: IN RESPONSE TO COHEN AND MESKIN’S PRINCIPLED DISQUALIFICATION OF PHOTOGRAPHS
Inés De Asis
University Of St. Andrews - MECHANICAL RECORDING IN ARNHEIM’S FILM AS ART
Yvan Tétreault
Mcgill University - THE PROBLEM OF THE FICTIVE STANCE
Thomas Wolstenholme
Lancaster University
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