- CONCEPTUAL AND NONCONCEPTUAL MODES OF MUSIC PERCEPTION
Mark Debellis
Columbia University - RESTATING THE CASE FOR REPRESENTATION IN THE PHILOSOPHY OF OPERA
Daniel Gallagher
Sacred Heart Major Seminary - WHAT DO WE UNDERSTAND IN MUSICAL EXPERIENCE?
Guy Dammann
King’s College, London - MUSICAL WORKS AND PERFORMANCE EVALUATION
António Lopes
University Of Lisbon - I NEVER HEARD NO HORSE PLAY GUITAR
Nick Jones
University Of Nottingham - MUSICAL FEELINGS AND ATONAL MUSIC
Elina Packalén
University Of Turku